TO OUR FRIENDS, CLIENTS, AND FUTURE CLIENTS:
We're very happy that we'll still be able to provide our ring lights for your productions, but we'll be changing some of our policies.
Be assured, we are here to continue serving the film community when your production is ready to get back to work. Our kits can be shipped to you anywhere in the world. Please reach out and BUILD YOUR KIT HERE if you're going back into production and are interested in using our ring light system.
If you are new to our system, look over this site and contact us with any questions you might have, and we'd be happy to discuss anything ring light! Our unique system gives you the control you need in adding this component to your narrative and documentary work.
Be safe, and we look forward to working with you in the near future!
Lightest Ever Cinema Ring Light.
NOW AVAILABLE IN 2 SIZES!
O | Original Cinering® - 8.5" Inside Diameter (Round)
XLO | Oval Cinering® - 10.25" x 14.25" Inside Diameter
- Full color temperature control 2800° - 6000°
- CRI Avg. 95 @ 100%
- Fully Dimmable from 3% - 100%
- Full Wireless or Local Control
- 1.3 Amp draw (O) / 1.75 Amp draw (XLO) @ 12VDC
- Easy power connection options
- Control in complex cues via DMX console or use proprietary wireless remote control
- Weather Resistant & Durable
- Lightweight - Just 14oz*
- Ideal for Steadicam & Handheld
EXPERIENCE SHADOWLESS FILL
Simply Beautiful. Simply Cinering®
"One of the best tools in the box."
Buzz Feitshans, DP - "Young Sheldon"
How can ring lights become a part of your lighting game?
So often in lighting a variety of scenes, you need a small final touch to fill in eyes, or to add a bit of fill to a rough portion of a walk and talk. When thinking about how to solve these problems, many people don’t consider a ring light as an option, as many ring lights they’ve worked with in the past were bulky and hard to control as camera and talent moved in relation to one another.
Cinering® shines outside of the traditional spaces one thinks about ring lights (i.e. beauty, music videos) precisely because it gives you the control you need for these situations. Able to come in only during the rough patch of that walk and talk, or come down dramatically as the actress lands on her final perfectly lit mark, just helping fill her as she enters from a darkened hallway. It can shift colors as actors move through different lighting environments, or stand by on a steadicam ready to be faded up if a little more fill is needed as actors move through the scene.
Paul Maibaum, ASC says:
"Besides the Cinering's® incredible ease of use I have found it to be the proverbial ‘Hail Mary’ light in so many set ups. In need of that excruciatingly small bit of fill light to open up the performer's eyes? Cinering® to the rescue. I will not do a show without the Cinering® LED ring light in my kit."
Cinering® can become your secret weapon too. It will also become a key component in your tool chest of lighting equipment that gets you out of trouble when the going gets tough.
NOT YOUR GRANDDADDY’S RING LIGHT:
It can add a little bit of extra fill to your actress or key them as they run through the woods or a darkened alley. Wireless dimming and color control allow a variety of possibilities. Of course, it can also be used for more traditional uses as well. Either way, you’ll forget it’s on the camera weighing in at just 14oz.*
Please contact us if you want to make Cinering® a part of your lighting game, and we can help determine which model fit’s your show’s needs and get you set up.
*Wireless O Bungee Mount = 14oz. (rod mount = 15.1oz. / XLO = 19.5oz.)